Past performances from Harley Keasey. See below for more information.
Who Wants to Be a Real Person? (2025)
Pastiche, multimedia political theatre piece critiquing the systemic issues surrounding the treatment of women in healthcare.
Performed at the Ignition BA (Hons) Theatre and Performance finalist showcase, Media Factory, Preston – May 2025
Photo Credit: Sarah Mahmood, Ignition (2025)
Suff(e)rage! (2025)
An interactive, live art, durational exploration on the pressures and expectations of women in society across the last 125 years.
Performed as part of Social Experiment by Word of Warning and hÅb Manchester at Contact Theatre, Manchester – February 2025
Photo Credit: Tamsin Drury, Word of Warning (2025)
Blood Wedding (2025)
A collaborative adaptation of the Federico Garcia Lorca 1932 text. Additional texts scripted as part of the process.
Performed at Media Factory UCLan, Preston – January 2025
She’s Hysterical (2024)
Verbatim and clown-inspired political performance art piece regarding the treatment of women in the UK healthcare system.
Performed at Media Factory UCLan, Preston – December 2024
Labyrinth (2024)
Short devised text-based monologue focusing on the difficulties of navigating life with a newly diagnosed chronic illness.
Performed at Stage Bites Scratch Night, Media Factory UCLan, Preston – April 2024
Text Me When You Get Home (2022-)
Devised narrative-driven political theatre solo piece exploring women’s safety in society through three strands: the universal ‘girl’, the last movements and legacy of Sarah Everard and societal expectations of women’s behaviour.
First performed at Media Factory UCLan, Preston – December 2022
Harley Keasey 