**** 4 STARS ****
Is it possible for one of the greatest Hitchcock thrillers of all time to be presented as a comedic, technical theatre masterpiece whilst still honouring the original film work? Wise Children have proved that, in this adaptation of North by Northwest by Emma Rice, it is definitely possible. This show demonstrates that, with a collaborative ensemble and dedicated technical team, contemporary adaptations can be a huge success.
A case of mistaken identity, Roger Thornhill (played excellently by Ewan Wardrop, who took Cary Grant’s original portrayal and made it his own) is pursued across the United States by an organisation in search of fictional ‘Public Enemy No. 1’ George Kaplan. Through forming connections, deceit and disguise, Thornhill attempts to expose said Kaplan, unaware of his fictionality. This show is a masterful blend of comedy and dedication to the original masterpiece, with Wise Children certainly taking creative control of the narrative thanks to director, Emma Rice, and creative consultant, Mark Kaufman.
Whilst all actors collectively multi-roled, showing a versatile range of character work, the standout performance was certainly Katy Owen’s portrayal of The Professor. Owen effortlessly blurred the lines between the spectator and performer, commenting on the narrative as it happened and engaging the willing audience throughout. Her timing and rhythm was perfected and every moment performed ran seamlessly, like a well-oiled machine. The decision to have her play some of the more influential minor characters was well thought out and her versatility in voice, diction, posture and gait made each individual character a believable entity in its own right. Owen’s contributions were vital to the success of the show and, without her, the show would certainly have a large void to fill.
North by Northwest is a masterpiece in total theatre and design. The choreography and movement by Etta Murfitt, intertwined with the sound design of Simon Baker, made for an impressive spectacle and allowed moments of light relief within the more tense sequences of the piece. Malcolm Rippeth’s lighting design portrayed essential mood and atmosphere shifts whilst elevating elements of Rob Howell’s set design: the fluorescent bottles on the multi-purpose revolving doors drew the attention of every audience member. This piece would not be what it is without the technical company that made it so Wise Children should certainly be applauded.
Despite the drop in energy and focus towards the resolution of the piece, overall, North by Northwest is every Wise Children or Emma Rice fan’s dream: an intricate masterpiece in total theatre, song and comedy. This piece exceeds every expectation whilst honouring its original stimulus. There is no mistaking the brilliance of this show and it is certainly one to watch.
North by Northwest plays at the Liverpool Playhouse until Saturday 24th May 2025. You can purchase tickets and find out more information here.
Harley Keasey 
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